Idris Elba Aims to Transform Africa’s Entertainment Industry with Ambitious Studio Projects
ENTERTAINMENT NEWS Idris Elba Aims to Transform Africa’s Entertainment Industry with Ambitious Studio Projects
Idris Elba, the acclaimed London-born actor known for his memorable roles in “The Wire” and “Luther,” is embarking on a transformative journey in the African entertainment landscape. With roots in Sierra Leone and Ghana, Elba’s mission is to revolutionize the industry by establishing film studios across the continent, beginning with a groundbreaking project in Zanzibar, Tanzania.
The concept for this initiative emerged from a meeting between Elba and Tanzanian President Samia Suluhu Hassan during the World Economic Forum in Davos last year. Their discussions culminated in plans for the first studio in Zanzibar, with the local government allocating nearly 200 acres for construction. Zanzibar’s Minister for Investment, Shariff Ali Shariff, highlighted that the studio aims to emulate the success of Hollywood, Nollywood in Nigeria, and Bollywood in India, humorously suggesting the name “Zallywood” or “Zawood” for the emerging film industry.
Elba envisions this project as a significant step toward creating a global entertainment hub in Africa, addressing the lack of representation in the creative sector. He emphasized the need for African narratives to be told by Africans, countering the often negative portrayals generated externally. With a median age of 19, he believes the continent’s youth are optimistic and ready to share their stories with the world.
The financial potential of Africa’s creative economy is vast; despite constituting 18% of the global population, the continent represents only 1% of the creative sector. This presents a significant opportunity for growth, with estimates suggesting that Africa’s film and audiovisual industry could generate 20 million jobs and contribute $20 billion to the GDP by 2030. Major global companies like Netflix and Disney are already investing in the region, recognizing its potential.
However, challenges remain, particularly in securing government support and addressing regulatory gaps that hinder growth. Elba draws parallels to South Korea’s rapid entertainment sector expansion, which has seen its cultural exports grow significantly in recent years. Tanzania is already looking to this model, collaborating with South Korea to provide training for African actors.
Elba acknowledges that simply building studios won’t be sufficient to ignite an entertainment revolution. A crucial aspect is developing effective payment systems for creators in countries with limited banking infrastructure. To address this, he has partnered with Stellar, a blockchain-based platform, to launch Akuna Wallet—a digital wallet designed for the creative economy. This innovative solution enables artists to manage payments and royalties securely without relying on traditional banks, facilitating peer-to-peer transactions in digital currencies.
The pilot program, recently launched in Ghana, aims to enhance financial inclusion for local creatives, recognizing that many young Africans lack bank accounts. Elba emphasizes the need for a sustainable financial model to support consistent quality in creative outputs. He believes that with proper government support and an inclusive entertainment economy, the industry can thrive.
“It will grow, and it can grow,” Elba states confidently, underscoring his commitment to fostering a vibrant and prosperous creative landscape in Africa.
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